FIRST EMAIL AND FILM SCORE BRIEF Templates by Robinson Senpauroca https://robinsonsenpauroca.com/blog/en/first-email-film-composer-brief-template/ FIRST EMAIL Subject: [Film title] / original score enquiry / [scoring window] Hello [name], I am [role] on [title], a [format and approximate running time] about [short premise]. I found your work through [specific project or introduction]. The way you handled [specific musical quality] seems relevant to our film. We are looking for music that [dramatic purpose]. Our main open question is [scene or narrative uncertainty]. Here is [labelled screener or selected scene], with [access details]. The current cut is [version and status]. We expect [scoring window], with [confirmed or target picture lock] and [dub date]. The score budget is [amount and currency, or status], intended to cover [scope]. We estimate [music quantity, if known], subject to a spotting discussion. [Name or role] is coordinating sound post. Would you be interested and available for a short conversation? We would like to discuss the musical approach, your proposed scope and the information you need to prepare a quote. Best, [name and contact] WORKING BRIEF AFTER THE FIRST CALL Project, format, running time, director and producer: [ ] Story viewpoint and musical purpose: [ ] What should remain uncertain for the audience: [ ] Scene to explore, picture version and access: [ ] Reference links, useful features and unwanted features: [ ] Temp track status and viewing copy without temp: [ ] On-screen musical constraints: [ ] Picture status, expected changes and confirmed/target lock: [ ] Frame rate and timecode to confirm with the editor: [ ] Scoring window, reviews and dub date: [ ] Budget, currency, scope and open questions: [ ] Creative decision maker and person collecting notes: [ ] Music editor and sound post contacts: [ ] Purpose of first cue approval: idea, shape or finished recording: [ ] Deliverables: full mixes, agreed alternates and stems: [ ] Formats, start points and naming to confirm with sound post: [ ] Mark unknowns explicitly instead of guessing.